In this series, the exterior is not a boundary, but the first layer of everything that can be felt.

Abandoned houses are skins exposed to time.

Before any interior, it is on the exterior that memory settles: cracks, faded colors, traces of a life that no longer responds.

We remain outside, where the gaze projects stories and where absence becomes presence. Each façade functions as a silent body, carrying a past we cannot see, but instinctively recognize.

Love reveals itself discreetly, through shared space and time, through the repetition of the gesture of being. These images do not seek to reconstruct what was lost, but to accept abandonment as a state.

The series unfolds as a visual diary, where each photograph is a pause. In the encounter between living bodies and houses that no longer live, a silent question remains:

How many times does first impression deceive us and fail to reflect the true inner self?